Showing posts with label Miles Davis. Show all posts
Showing posts with label Miles Davis. Show all posts

Friday, January 3, 2025

Miles Davis – Ascenseur Pour L'Échafaud (Lift To The Scaffold) - original soundtrack (Complete Recordings)


This soundtrack with the musical cues for Louis Malle's 1958 film Ascenseur Pour L'Échafaud was recorded at Le Poste Parisien Studio in Paris on December 4 and 5, 1957.

Jean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack - possibly inspired by the Modern Jazz Quartet's recording for Roger Vadim's Sait-On Jamais (Does One Ever Know), released a few months earlier in 1957.

Davis was booked to perform at the Club Saint-Germain in Paris for November 1957. Rappeneau introduced him to Malle, and Davis agreed to record the music after attending a private screening. On December 4, he brought his four sidemen to the recording studio without having had them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room, and, once the plot was explained, the band improvised without any pre-composed theme, while edited loops of the musically relevant film sequences were projected in the background.

The soundtrack was not released on its own in the USA but ten songs from this soundtrack were released as one side of the album Miles Davis - Jazz Track which received a 1960 Grammy nomination for Best Jazz Performance, Solo Or Small Group.

This soundtrack might also be referred to as Elevator To The Gallows (literal translation of the French title), also known as Frantic in the US, also known as Lift To The Scaffold in the UK.

Original release date: 1958; recording period: Dec 1957

Miles Davis, Trumpet; Barney Wilen, Tenor Saxophone; René Urtreger, Piano; Pierre Michelot, Bass; Kenny Clarke, Drums

This complete recordings version was released in 1988. The original soundtrack to the film, as mixed and edited in 1958, can be heard in tracks 17 to 26.

1 Nuit Sur Les Champs-Élysées (Take 1) 2:25

2 Nuit Sur Les Champs-Élysées (Take 2) 5:20

3 Nuit Sur Les Champs-Élysées (Take 3) (Générique) 2:47

4 Nuit Sur Les Champs-Élysées (Take 4) (Florence Sur Les Champs Élyseés) 2:59

5 Assassinat (Take 1) (Visite Du Vigile) 2:02

6 Assassinat (Take 2) (Julien Dans L'Ascenseur) 2:10

7 Assassinat (Take 3) (L'Assassinat De Carala) 2:10

8 Motel (Dîner Au Motel) 3:56

9 Final (Take 1) 3:05

10 Final (Take 2) 3:00

11 Final (Take 3) (Chez Le Photographe Du Motel) 4:04

12 Ascenseur (Évasion De Julien) 1:57

13 Le Petit Bal (Take 1) 2:40

14 Le Petit Bal (Take 2) (Au Bar Du Petit Bac) 2:53

15 Séquence Voiture (Take 1) 2:56

16 Séquence Voiture (Take 2) (Sur L'Autoroute) 2:16

17 Générique 2:45

18 L'Assassinat De Carala 2:10

19 Sur L'Autoroute 2:15

20 Julien Dans L'Ascenseur 2:07

21 Florence Sur Les Champs-Élyseés 2:50

22 Dîner Au Motel 3:58

23 Évasion De Julien 0:53

24 Visite Du Vigile 2:00

25 Au Bar Du Petit Bac 2:50

26 Chez Le Photographe Du Motel 3:50


Tuesday, May 21, 2019

Afterglow....music from the motion picture....music by Mark Isham featuring Charles Lloyd and Gary Burton


Composer Mark Isham's growing shelf of soundtracks shows a range from orchestral tone poems to ambient soundscapes and shrewd combinations of score and source music cues. But the trumpeter and synthesizer sculptor remains an ardent Miles Davis fan, his penchant for serene horn lines and cool backdrops consistent since his days with the '70s acoustic fusion band Rubisa Patrol and in Van Morrison's band. 

Isham's long relationship with director Alan Rudolph provides a plum opportunity in the bittersweet context of this romantic feature, and Isham responds with this suave program of cool jazz originals abetted by a stellar band. Charles Lloyd's ripe tenor, Gary Burton's shimmering vibes, Geri Allen's delicate piano, and Sid Page's violin trade spare lines across the drums and bass of Billy Higgins and Jeff Littleton respectively, for a set that stands on its own as atmospheric, intelligent jazz. --Sam Sutherland


1 After The Glow Has Gone 7:16
2 Yeses, Noes And In-Betweens 4:57
3 A Life Suspended 6:33
4 Hope And Charity 7:12
5 For Charles 7:22
6 Yeses And Noes 5:28
7 Undecided 3:31
8 The Frenzy 7:09
9 Afterglow 8:27
10 Afterglow - Reprise 1:46





Tuesday, July 18, 2017

Dingo...original soundtrack...music by Miles Davis and Michel Legrand



Michel Legrand arranged, orchestrated and conducted the music for the 1991 movie that co-stars Colin Friels and Miles Davis as a jazz legend - the fictional character, Billy Cross - who lives in Paris. It traces the pilgrimage of John Anderson, an average guy with a passion for jazz, from his home in outback Western Australia to the jazz clubs of Paris, to meet his idol, jazz trumpeter Billy Cross. Nice combo between two great artists. 

Miles and trumpeter Chuck Findley share the playing throughout the album and the pieces fit well within the framework of the movie. Some unusual tracks; a blend of music and dialogue in parts. Hearing miles talking is cool, though maybe not to everybody's taste. There is still some good Miles trumpet playing here and a worthy edition for a serious Miles Davis collector.







Monday, June 17, 2013

Finding Forrester ...music from the motion picture featuring Miles Davis


Topnotch Miles Davis music complements Gus Van Sant's film about an urban youth (Rob Brown), torn between basketball and writing, who meets a reclusive novelist (Sean Connery). The unlikely tale is supported by a generous sampling of Davis's early 1970's work nodding to Ornette Coleman and guitarist Bill Frisell. With the help of Ron Carter, Herbie Hancock, Wayne Shorter, and Tony Williams, Davis molded his second "classic" quintet into a groundbreaking mix of funk and rock that created something far beyond the reaches of fusion. Both "Recollections" and "Lonely Fire" hail from Davis's landmark Bitches Brew sessions (finally seeing release as The Complete Bitches Brew Sessions in October 1998) and offer a calming, nearly ambient effect. This combined with Davis's polyrhythmic funk--"Black Satin" from On the Corner and Ornette Coleman's own independent approach toward improvisation make for a solid sampler of jazz in a transitional age. --Rob O'Connor (Amazon review)

The "Somewhere Over the Rainbow/What a Wonderful World" medley is by the late, great, Hawaiian singer, Israel "Iz" Kamakawiwo`ole. There are web sites dedicated to him, and other music is available, with the Makaha Sons and solo. He was born May 20, 1959 and passed away at age 38. It is always something special to hear his voice floating in the air around us.

1. Recollections - Miles Davis
2. Little Church - Miles Davis
3. Black Satin - Miles Davis
4. Under A Golden Sky - Bill Frisell
5. Happy House - Ornette Coleman
6. Over The Rainbow (Photo Book) - Bill Frisell
7. Lonely Fire (Excerpt) - Miles Davis
8. Over the Rainbow/What a Wonderful World - Israel "Iz" Kamakwiwo'ole
9. Vonetta - Miles Davis
10. Coffaro's Theme - Bill Frisell/Ron Miles/Curtis Fowlkes/Eyvind Kang
11. Foreigner In A Free Land - Ornette Coleman
12. Beautiful - Bill Frisell/Hank Roberts/Kermit Driscoll/Joey Baron
13. In A Silent Way (DJ Cam Remix) - Miles Davis