Tuesday, June 30, 2015

21 Grams...original soundtrack...music by Gustavo Santaolalla



It's said all humans mysteriously lose 21 grams upon their death, a notion that inspires much hard-boiled philosophizing in Mexican director Alejandro Gonzalez Inarritu's structurally ambitious follow-up to Amores Perros. As in that film, several characters’ lives become intertwined via a tragic accident, but here told via a chronologically disjointed structure that's a masterfully wrought puzzle of editing and plot construction. 

                                                                       


Given that unusual structure, the musical soundtrack by Gustavo Santolalla by necessity carries much of the film's mood and emotional undercurrents in its spare, brooding cues and occasional songs. The composer's primary instruments here are a heavy-vibrato electric guitar (its tone reminiscent of the great Ry Cooder) and an equally altered accordion, set against a ambient wash of electronics and percussion that's so murky as to often seem impenetrable. The Kronos Quartet admirably matches the mood with their closing rendition of the haunting "When Our Wings Are Cut, Can We Still Fly." The hip-hop swing of Ozomati's "Cut Chemist Suite" and R&B of Ann Sexton help anchor it in a more familiar frame of reference, while Benicio del Toro's spooky, spoken-word take on "Shake, Rattle and Roll" (a performance recorded in Memphis' legendary Sun Studios, no less) effectively channels Tom Waits by way of David Lynch. Another fine example of the evocative, genre-free possibilities of modern film music. --Jerry McCulley (Amazon)

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Tuesday, June 9, 2015

Apocalypto....soundtrack...original score by James Horner



Apocalypto is not your usual film soundtrack. It's only 'themes' are the ethereal and tribal vocals, and the pounding percussion - these two elements are in most of the tracks, yet never get repetitive. Instead, James Horner is able to change and mix them to create any mood necessary: A sense of foreboding and dread, an intense action/chase scene or even a quieter, reflective piece.

All the tracks are very original and quite powerful. Beautiful, unique instrumentals with occasional gentle background vocals without words. It works as quiet background music or you can turn it up and appreciate the extreme quality. Few soundtracks on their own can carry the emotion one felt while watching a film; however, this soundtrack does that and more.





                                           



Visit my other music blogs here:
Soundtrack Heaven
The Aussie Music Blog
The Vintage Music Blog
The Jazz Music Blog
This Jukebox Rocks
The Blues and Roots Music Blog
Martin's Music Machine
Twitter @islandmanrocks