Showing posts with label classics. Show all posts
Showing posts with label classics. Show all posts

Wednesday, January 15, 2025

Alfred Newman – How Green Was My Valley (1941)

 


How Green Was My Valley is a 1941 American drama film directed by John Ford, adapted by Philip Dunne from the 1939 novel of the same title by Richard Llewellyn. It stars Walter Pidgeon, Maureen O'Hara, Anna Lee, Donald Crisp, and a young Roddy McDowall.

It tells the story of the Morgans, a hard-working Welsh mining family, from the point of view of the youngest child Huw, who lives with his affectionate and kind parents as well as his sister and five brothers, in the South Wales Valleys during the late Victorian era. The story chronicles life in the South Wales coalfields, the loss of that way of life and its effects on the family.

The soundtrack was composed and conducted by Alfred Newman, who, at the time, had acquired a solid reputation as a musician with a marked intelligence in supplying films with music. In his career he had amassed a total of 46 Oscar nominations, resulting in nine Oscars, the most so far won by any individual in film history.

1 Twentieth Century Fox Fanfare 0:12

2 Main Title/Huw's Theme 2:50

3 The Family And Bronwen 6:30

4 The Strike/Mother And Huw In Ice 4:42

5 Treasure Island/The Spring Birds 3:51

6 Angharad And Mister Gruffydd 2:08

7 Command From The Queen 1:50

8 Huw Walks Among The Daffodils 3:29

9 Angharad With The Minister 1:06

10 Love Denied 4:11

11 School 1:35

12 Huw's Lesson/The Mine Tragedy 3:06

13 Two More Brothers Leave 1:52

14 The House On The Hill/Gossip 6:57

15 Goodbyes 1:31

16 Huw Finds His Father 0:53

17 Finale/End Theme 1:42


How Green Was My Valley

Wednesday, February 24, 2021

Fifty Shades of Grey The Classical Album...music selected by author E L James

 

 Tracklist:
–Paris Opéra-Comique Orchestra*     Lakmé: Flower Duet     3:29
–Les Violons Du Roy     Keyboard Concerto In D Minor BWV 974: Adagio     3:58
–The Royal Philharmonic Orchestra     Bachianas Brasileiras No. 5: Aria (Cantileña) - Adagio     6:05
–Philharmonic Orchestra*     La Traviata: Prelude     3:51
–Academy Of St. Martin In The Fields*     Canon In D     4:56
–The Tallis Scholars     Spem In Alium     9:43
–Samson François     Prélude Op.28, No. 4 In E Minor     1:42
–City Of Birmingham Symphony*     Piano Concerto No. 2 In C Minor, Op.18: Adagio Sostenuto     4:30
–London Philharmonic Orchestra*     Fantasia On A Theme By Thomas Tallis: Opening     6:11
–English Chamber Orchestra     Chants D'Auvergne: Baïlèro     6:39
–Samson François     Nocturne No.1 In B Bémol Minor Op. 9     5:12
–King's College Choir, Cambridge* / English Chamber Orchestra     Requiem Op. 48: In Paradisum     3:26
–Maria Tipo     Goldberg Variations BWV 988: Aria     3:03
–Dame Moura Lympany     Préludes: La Fille Aux Cheveux De Lin     2:35
–Alexis Weissenberg     Cantata No. 147 (Transcribed By Myra Hess) - Jesu, Joy Of Man's Desiring     3:30


 Fifty Shades

Wednesday, December 25, 2019

John Williams Greatest Hits 1969-1999...a collection of soundtrack music composed by John Williams


John Williams Greatest Hits 1969–1999 is a compilation of concert suites from various films John Williams has scored between 1969 and 1999. The album contains takes from various orchestras including the London Symphony Orchestra, Boston Pops Orchestra and Skywalker Symphony Orchestra.

Disc 1
"Star Wars - Main Title" – 5:44
"E.T. - Flying Theme" – 3:42
"Superman - Main Title" – 4:25
"Indiana Jones and the Temple of Doom - Parade of the Slave Children" – 4:53
"Sugarland Express - Theme" – 3:35
"Jaws - Theme" – 2:31
"Olympic Fanfare and Theme" – 4:28
"Return of the Jedi - Luke and Leia" – 5:02
"The Reivers - Main Title" – 5:13
"The Empire Strikes Back - The Imperial March" – 3:04
"Indiana Jones and the Last Crusade - Scherzo for Motorcycle and Orchestra" – 2:48
"Empire of the Sun - Cadillac of the Skies" – 4:58
"Raiders of the Lost Ark - The Raider's March (End Credits)" – 5:11
"Close Encounters of the Third Kind - Suite" – 9:46

Disc 2
"Saving Private Ryan - Hymn to the Fallen" – 6:10
"Jurassic Park - Theme" – 5:29
"Schindler's List - Theme" – 3:32
"Hook - Flight to Neverland" – 4:41
"Seven Years in Tibet - Seven Years in Tibet" – 7:09
"JFK - Prologue" – 4:00
"Stepmom - The Days Between" – 6:27
"1941 - March" – 4:14
"Home Alone - Somewhere in My Memory – 4:54
"Summon the Heroes" – 6:14
"Rosewood - Look Down, Lord" – 4:12
"Far and Away - Theme" – 5:34
"Born on the Fourth of July - Theme" – 6:20
"Star Wars: Episode I – The Phantom Menace - Duel of the Fates" – 4:14



Thursday, November 14, 2019

The Good, The Bad and The Ugly...original motion picture soundtrack...music by Ennio Morricone


One of the all-time great Western scores, restored to its original length-that means an additional 10 tracks! A spaghetti-flavored treat for soundtrack collectors!

The concluding chapter of director Sergio Leone's epochal Man With No Name trilogy ushered film scorer Ennio Morricone into the pop mainstream courtesy of a hit cover of its main title by American Hugo Montenegro. More importantly, it both showcased the composer's spectacularly inventive range and set him up for even greater triumphs to come with Leone and others. But aficionados of il Maestro Morricone's G,B&U soundtrack knew its original editions contained but the main thematic/musical elements of the spaghetti western epic -- until now. 

The addition of ten previously unissued cues on this newly remastered edition render the landmark score in its full glory, nearly doubling its running time in the bargain. While some of these new elements are but spare, haunting reworkings of familiar motifs (including Allessandro Allessandroni's trademark guitar riffs and the chilling vocal shrieks the composer used to evoke the howling of coyotes) that help expand its emotional dynamic, others like "Sentenza," "La Missione San Antonio" (a haunting instrumental version of "A Soldier's Story" that effectively presages his elegiac Once Upon A Time in The West and "Il Bandito Monco" significantly add to its expansive scope, firmly restating its claim as Morricone's first true classic. -- Jerry McCulley (Amazon.com)