Showing posts with label Ryuichi Sakamoto. Show all posts
Showing posts with label Ryuichi Sakamoto. Show all posts

Monday, December 22, 2025

Ryuichi Sakamoto – Merry Christmas, Mr. Lawrence / Furyo


Merry Christmas, Mr. Lawrence, also known as Furyo (俘虜, Prisoner of War), is a 1983 war film co-written and directed by Nagisa Ōshima, co-written by Paul Mayersberg, and produced by Jeremy Thomas. The film is based on the experiences of Sir Laurens van der Post (portrayed by Tom Conti as Lt. Col. John Lawrence) as a prisoner of war in Java (Japanese-occupied Dutch East Indies) during World War II, as depicted in his books The Seed and the Sower (1963) and The Night of the New Moon (1970). It stars David Bowie, Ryuichi Sakamoto, Takeshi Kitano and Jack Thompson; Sakamoto also composed and played the musical score including the vocal version of the main theme "Forbidden Colours", with lyrics written and sung by David Sylvian.

The soundtrack from the film was released on 1 May 1983 in Japan and towards the end of August 1983 in the UK. It was composed by Ryuichi Sakamoto, who also starred in the film. It was Sakamoto's first film score, though it was released several weeks after the film Daijōbu, My Friend, for which he also composed the music.

Despite receiving mixed reviews from critics, the film has since become a cult classic, largely due to its soundtrack. For the film's soundtrack, Sakamoto won the 1984 BAFTA Award for Best Film Music as well as the 1984 Mainichi Film Award for Best Film Score. David Sylvian contributed lyrics and vocals on "Forbidden Colours", a vocal version of the main theme, "Merry Christmas Mr. Lawrence", both of which were released as singles.

1 Merry Christmas Mr. Lawrence 4:34

2 Batavia 1:18

3 Germination 1:47

4 A Hearty Breakfast 1:21

5 Before The War 2:14

6 The Seed And The Sower 5:00

7 A Brief Encounter 2:23

8 Ride, Ride, Ride (Celliers' Brother's Song) 1:03

9 The Fight 1:29

10 Father Christmas 2:00

11 Dismissed 0:10

12 Assembly 2:16

13 Beyond Reason 2:01

14 Sowing The Seed 1:53

15 23rd Psalm 2:00

16 Last Regrets 2:40

17 Ride, Ride, Ride (Reprise) 1:04

18 The Seed 1:02

19 Forbidden Colours 4:42


Tuesday, August 15, 2023

Ryuichi Sakamoto, David Byrne and Cong Su – The Last Emperor

 

The Last Emperor is the soundtrack album for the film of the same name. It features nine pieces composed by Ryuichi Sakamoto, five by David Byrne, one from Cong Su, and a few incidental pieces of source music. The album won the Best Original Score award at the 1987 Academy Awards, and won the Best Score Soundtrack for Visual Media award at the 31st Annual Grammy Awards in 1989.

1 Ryuichi Sakamoto– First Coronation

2 Ryuichi Sakamoto– Open The Door

3 Ryuichi Sakamoto– Where Is Armo?

4 Ryuichi Sakamoto– Picking Up Brides

5 Ryuichi Sakamoto– The Last Emperor (Theme Variation 1)

6 Ryuichi Sakamoto– Rain (I Want A Divorce)

7 Ryuichi Sakamoto– The Baby (Was Born Dead)

8 Ryuichi Sakamoto– The Last Emperor (Theme Variation II)

9 Ryuichi Sakamoto– The Last Emperor (Theme)

10 David Byrne– Main Title Theme (The Last Emperor)

11 David Byrne– Picking A Bride

12 David Byrne– Bed

13 David Byrne– Wind, Rain And Water

14 David Byrne– Paper Emperor

15 Cong Su– Lunch

16 The Red Guard Accordion Band– Red Guard

17 The Ball Orchestra Of Vienna– The Emperor's Waltz

18 The Girls Red Guard Dancers– The Red Guard Dance



The Last Emperor

Monday, June 16, 2014

Snake Eyes Original Score by Ryuichi Sakamoto


Depending on your viewpoint, director Brian De Palma has been frequently lauded/taken to task for liberally appropriating the stylistic flourishes of other directors. And if De Palma's biggest "inspiration" on Snake Eyes is Alfred Hitchcock, the director found an admirable, if unlikely, semblance of frequent Hitchcock collaborator Bernard Herrmann in Ryuichi Sakamoto. Though better known for more delicate, electronic, and ethnically tinged work, here Sakamoto does a truly amazing Herrmann impression, cranking up the brass and swirling the strings into an unsettling sonic maelstrom that would've done late '50s Hitch proud.

Snake Eyes instantly begins with an awesome theme played out on lush violins. It echoes Bernard Herrmann classic scores to Hitchcock movies. Usually when a score imitates another movie it doesn't stand on its own. But the Snakes Eyes score manages to come into its own and still be original. Sakamoto's score ends with the beautiful 'Snake Eyes-Long Version'. It's a shame that this came out in the modern day. If this score accompanied a classic movie it would have been well-remembered. It is an alternately fun and lush score to De Palma's underrated and visually stunning film. Sakamoto's haunting theme (best on extended track 11) is a loving tribute to Morricone and Herrmann and the cheesy '70s gangster film thrill/scare cuts are a treat. Also includes 2 vocal tracks by Meredith Brooks and LaKiesha Berri.

1. Snake Eyes
2. Assassination
3. The Hunt
4. Julia's Story #1
5. Tyler And Serena
6. Kevin Cleans Up
7. You Know Him
8. Blood On The Medals
9. Crawling To Julia
10. The Storm
11. Snake Eyes(Long Version)
12. Sin City - Meredith Brooks
13. The Freaky Things - LaKiesha Berri