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Sunday, September 11, 2016

Wolf...1994 film...Original Score ...music by Ennio Morricone

Ennio Morricone’s score for the 1994 Mike Nichols movie starring Jack Nicholson and Michelle Pfeiffer is rather underrated. He doesn’t do a lot of horror scores for Hollywood – you have to go back to John Carpenter’s The Thing (1982) for a memorable one. Here in Wolf he channels a jazzy noir-ish style mixed with orchestral strings and electronic synths. The result is not quite spectacular, but interesting enough for fans of Morricone. It is a score that grows on you, centering less on clear, discernible melodies; instead the music is more atonal and atmospheric, but with structural cues to guide the listener.

WOLF

Tuesday, July 12, 2016

Heaven and Earth...Original Motion Picture Soundtrack...music by Kitaro

While regarded as one of the pioneers of the new age music genre, Kitaro is also no stranger to scoring for film and television. His music for the ‘Silk Road’ series by NHK in the early 1980's yielded four astonishing albums. A decade on, he would compose the music for Heaven and Earth (1993), the final picture of Oliver Stone’s unofficial ‘Vietnam War’ trilogy.

Kitaro won the Golden Globe for Best Original Score, which came rather unexpectedly, especially in a year that saw John Williams produced what was arguably his finest score for Schindler’s List (1993). His work for Heaven and Earth remains to be one of the most accomplished endeavours of his illustrious career.

Building from the symphonic sound of his massively-popular 1990 album Kojiki, his music here shows both dynamism and sensitivity as the melodies and arrangements echo the style of a traditional film score, yet are uniquely elevated by his penchant for using Asian instruments—our ears bear witness to the exquisite if sad sounds of the huqin (a kind of Chinese violin) in several tracks, and the powerful Taiko drums in ‘Arvn’ and ‘Village Attack/The Arrest’.

The synthesised sounds of what seem like the Japanese koto and flute are also brilliantly integrated with the orchestra, particularly in the stunning first track, ‘Heaven and Earth (Land Theme)’.

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Wednesday, June 22, 2016

Trouble Every Day..Original Soundtrack...Music by Tindersticks

The soundtrack to the 2001 French movie, Trouble Every Day, does its job in setting the brooding, melancholy mood of a brooding, haunting and disturbing film.

For those who aren't familiar with the Tindersticks, imagine a synthesis of Angelo Badalamenti with John Cage, and early Leonard Cohen - performed inside a chapel. No comparisons are fair, since the sound is truly greater than the some of it's possible influences.

"Trouble Every Day" is more of a composed work than something that might have spontaneously come from a rock band. Many of the bass-lines are played (beautifully) by a double bass, and a full orchestra is used to great effect. Eastern sounding hand-percussion, acoustic guitar, and brass section all contribute to a mood that somehow feels both rich and austere.

Monday, April 11, 2016

The Dish..Music from the Motion Picture..with Score by Edmund Choi

This year 2000 Australian movie is about a remote outback antenna, populated by quirky characters, that played a key role in the first Apollo moon landing. The soundtrack is what I would term the "perfect soundtrack", in that the collection of iconic 1960's songs featured in the movie take up the first 13 tracks, and the score, composed by Edmund Choi and performed by the Melbourne Symphony Orchestra, takes up the next 15 tracks. An easier way to listen to a soundtrack I think, especially one as good as this.

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Wednesday, February 24, 2016

Crooked: The Movie...Original Score and Soundtrack..Music by Various Artists...2002

Three years in the making, this 2 hour feature film is about pursuing one's dreams despite harrowing odds as it follows Sensational, a talented unknown artist who tries to break into the cutthroat and corrupt music industry. Mostly biographical and based on real events, Crooked is the rawest, edgiest music film to emerge in years capturing the heart and soul of a culture as it chronicles the struggles of an artist whose creativity knows no bounds. Features cameos by Anti Pop Consortium, Prince Be of PM Dawn, legendary graffiti artist Futura 2000, and luminaries from the Wordsound guerilla army. Written, produced and directed by Skiz Fernando.

The soundtrack is a mix of Alternative, Indie, Hip-Hop, Electronica, Rap and Dub and has now become a rare and collectible item in itself.

In 2002, music journalist S.H. Fernando Jr. (AKA "Skiz"), frustrated with the corporate hijacking of the music scene, founded WordSound Recordings, a self-described "guerilla think-tank" dedicated to continuous creation and experimentation. The label aimed at providing an arena for artists operating outside the mainstream as well as a true alternative to the formulaic and hype-driven status-quo, which at the time was being marketed as "alternative" rock, "underground" hip-hop, and "electronica." Forty full-length albums and numerous singles later, WordSound and its subsidiary, vinyl-only imprint Black Hoodz, have carved out an international reputation as one of the preeminent laboratories of musical innovation. With releases spanning such genres as dub, hip-hop, electronic, world, and just plain weird, the label has managed to elevate the game with its no-comprise D.I.Y. attitude, bucket loads of originality, and a serious commitment to upliftment through sound.

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Sunday, January 31, 2016

A Touch of Spice (Politiki Kouzina)..original soundtrack...music by Evanthia Reboutsika

Soundtrack to the 2003 Greek/Turkish movie, "A Touch of Spice", a story about a young Greek boy (Fanis) growing up in Istanbul, whose grandfather, a culinary philosopher and mentor,teaches him that both food and life require a little salt to give them flavor; they both require... A Touch of Spice. Fanis grows up to become an excellent cook and uses his cooking skills to spice up the lives of those around him. 35 years later he leaves Athens and travels back to his birthplace of Istanbul to reunite with his grandfather and his first love; he travels back only to realize that he forgot to put a little bit of spice in his own life.

The soundtrack by Greek composer Evanthia Reboutsika is as beautiful as the movie, with a very special mix of Greek and Middle Eastern elements reminiscent of the past. The highlights are the 2 vocal tracks "Allspice" and "Fire In the Harbour' with some of the most haunting and exquisite singing you may hear on a soundtrack. If your tastes are into "World" music, then this now rare release will certainly satisfy your needs.

Read more about the movie here at IMDB

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Monday, January 18, 2016

Sophie's Choice...1982 Film ..Original Soundtrack...Music Composed and Conducted by Marvin Hamlisch

Soundtrack to director Alan J. Pakula's 1982 drama that Meryl Streep won the Oscar for best actress. Kevin Kline co-stars along with Peter MacNicol. 15 tracks, all composed and conducted by Oscar and Pulitzer Prize-winner Marvin Hamlisch.

Listen as this soundtrack brings you up and down through a romantic journey through the heart. Sophie's Choice was an excellent heart wrenching true to life movie, and this soundtrack is an emotional portrayal, at the heart of the movie.

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Sunday, December 20, 2015

127 Hours..music from the motion picture..featuring original music by A.R.Rahman

Original soundtrack to the 2010 film from director Danny Boyle includes a collaboration with composer A.R. Rahman and Dido as well as other instrumental score themes by Rahman, plus classics by Esther Phillips, Plastic Bertrand, and Bill Withers, plus new music from Sigur Rós and Free Blood. The featured new song "If I Rise," is the first collaboration between internationally renowned Grammy, Golden Globe and Oscar winner A.R. Rahman and Dido, the mega platinum two time Grammy Award nominated and 4 time BRIT Award winning British singer and songwriter. The atmospheric and transcendent music score of Academy Award winning composer A.R. Rahman is at the heart and soul of the inspiring new 127 Hours, the true story of Aron Ralston, a trapped mountain climber and his ordeal in the Utah wilderness.

• 1. Never Hear Surf Music Again - performed by Free Blood (5:51)
• 2. The Canyon (3:01)
• 3. Liberation Begins (2:14)
• 4. Touch of the Sun (4:38)
• 5. Lovely Day - performed by Bill Withers (4:16)
• 6. Nocturne No. 2 in E flat, Op. 9 No. 2 - written by Frederic Chopin (4:00)
• 7. Ca Plane Pour Moi - performed by Plastic Bertrand (2:59)
• 8. Liberation in a Dream (4:05)
• 9. If You Love Me (Really Love Me) - performed by Esther Phillips (3:26)
• 10. Acid Darbari (4:20)
• 11. R.I.P. (5:10)
• 12. Liberation (3:11)
• 13. Festival - performed by Sigur Ros (9:24)
• 14. If I Rise - performed by Dido Armstrong and A.R. Rahman (4:37)

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Saturday, December 5, 2015

Les Miserables..1998 Film Version Original Soundtrack...music by Basil Poledouris

Basil Poledouris' musical rendition for Victor Hugo's "Les Miserables" is, quite simply, epic. From the prison quarries to Paris, from the struggle between mercy and justice (Val Jean and Javert), to tenderness and battle (Cosette and the ABC Club), Poledouris has captured it all. The main theme evokes images not only the policeman on the hunt, but the students on the barricade - in one spectacular brass arrangement. A particular favourite is the beginning of track three, where the simplicity of Val Jean and Cosette's relationship (in a delicate flute) is suddenly contrasted with the bustle of the Parisian streets (in bubbling woodwinds and strings).

Poledouris has outdone himself with this composition. His music evokes the crystal style of Ennio Morricone and the cinematic majesty of John Williams. It reflects a conversion from light to dark and completes the painting that is the film. In his composition we hear the brooding of Javert's soul, the love and compassion of Valjean. True to the literary work, both the score and the film focus their attention on the conflict between the redeemed Valjean and the obsessed Javert. The score is insightful on a personal level, allowing the listener the realization that darkness exists in all of us, but that darkness is merely the absense of light, the light of human compassion and love. Superb on a technical level, creatively beautiful, this score makes a fine addition to any personal music library, classical or otherwise.

1. Suite 1, Valjean's Journey: Theme From Les Miserables/The Bishop/Javert/The Quarry
2. Suite 2, Vigau: Javert Suspects/Caring For Fantine/Valjean's Confession/The Death Of Fantine...
3. Suite 3, Paris: Valjean & Cosette/The Wall/Outside/Marius & Cosette/Valjean Remembers
4. Suite 4, The Barricades: Funeral Attack/Valjean Saves Marius/Farewell/Javert's Suicide

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Wednesday, December 2, 2015

Fahrenheit 9/11 Original Soundtrack...music by Jeff Gibbs and Various Artists

Michael Moore's indictment of the Bush administration's post-9/11 fear-mongering and rush to war in Iraq was the most unlikely blockbuster of its crucial election year, a human-scaled, deeply patriotic American reflection that became the most successful documentary in history within days of its release. Its soundtrack is arguably the most understated, if shrewdly effective, component of Moore's potent agitprop.

Composer Jeff Gibbs' brooding synth washes give the score an appropriate center of gravitas, lending an even more ironic tone to the almost obscenely bright pop and rock chestnuts (The Go Go's "Vacation," Joey Scarbury's "Theme From Greatest American Hero," REM's "Shiny Happy People," Elmer Bernstein's timeless theme from The Magnificent Seven) Moore uses to skewer his targets. Perhaps most notable is the chilling use of Arvo Part's Cantus in Memory of Benjamin Britten to underscore the film's stark, restrained evocation of the horrors of 9/11. Neil Young's "Rockin' in the Free World" closes matters out with a blast of bracing, if ever cynical, hope. --Jerry McCulley (Amazon)

1. The Un-President -- Jeff Gibbs
2. Vacation -- The Go-Gos
3. Bush Waits...And Waits- -- Jeff Gibbs
4. Cantus in Memory of Benjamin Britten, for String Orchestra and Bell -- Paavo Jarvi/Estonian National Symphony Orchestra
5. We Gotta Get Out of this Place -- Eric Burdon
6. Weapons of Deceit -- Jeff Gibbs
7. Deserter -- Jeff Gibbs
8. Cocaine -- J.J. Cale
9. Shiny Happy People -- R.E.M.
10. Magnificent Sevent Theme -- Elmer Bernstein
11. Afghan Victory Dance -- Jeff Gibbs
12. Fire Water Burn -- Bloodhound Gang
13. Theme from "Greatest American Hero" -- Joey Scarbury
14. Aqualung -- Jetthro Tull
15. All They Ask -- Jeff Gibbs
16. Rockin' In the Free World -- Neil Young

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Tuesday, June 30, 2015

21 Grams...original soundtrack...music by Gustavo Santaolalla

It's said all humans mysteriously lose 21 grams upon their death, a notion that inspires much hard-boiled philosophizing in Mexican director Alejandro Gonzalez Inarritu's structurally ambitious follow-up to Amores Perros. As in that film, several characters’ lives become intertwined via a tragic accident, but here told via a chronologically disjointed structure that's a masterfully wrought puzzle of editing and plot construction.

Given that unusual structure, the musical soundtrack by Gustavo Santolalla by necessity carries much of the film's mood and emotional undercurrents in its spare, brooding cues and occasional songs. The composer's primary instruments here are a heavy-vibrato electric guitar (its tone reminiscent of the great Ry Cooder) and an equally altered accordion, set against a ambient wash of electronics and percussion that's so murky as to often seem impenetrable. The Kronos Quartet admirably matches the mood with their closing rendition of the haunting "When Our Wings Are Cut, Can We Still Fly." The hip-hop swing of Ozomati's "Cut Chemist Suite" and R&B of Ann Sexton help anchor it in a more familiar frame of reference, while Benicio del Toro's spooky, spoken-word take on "Shake, Rattle and Roll" (a performance recorded in Memphis' legendary Sun Studios, no less) effectively channels Tom Waits by way of David Lynch. Another fine example of the evocative, genre-free possibilities of modern film music. --Jerry McCulley (Amazon)

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Tuesday, June 9, 2015

Apocalypto....soundtrack...original score by James Horner

Apocalypto is not your usual film soundtrack. It's only 'themes' are the ethereal and tribal vocals, and the pounding percussion - these two elements are in most of the tracks, yet never get repetitive. Instead, James Horner is able to change and mix them to create any mood necessary: A sense of foreboding and dread, an intense action/chase scene or even a quieter, reflective piece.

All the tracks are very original and quite powerful. Beautiful, unique instrumentals with occasional gentle background vocals without words. It works as quiet background music or you can turn it up and appreciate the extreme quality. Few soundtracks on their own can carry the emotion one felt while watching a film; however, this soundtrack does that and more.

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Saturday, April 4, 2015

Moonrise Kingdom...original soundtrack..music by Mark Mothersbaugh, Alexandre Desplat and Various Artists

Following the much acclaimed-animated feature FANTASTIC MR. FOX, Wes Anderson returns to live-action film making with MOONRISE KINGDOM. Set amongst the widow's walks and Yankee traditions of 1965 New England, Anderson and co-screenwriter Roman Coppola create an incomparable tale of romance between rogue Khaki Scout Sam and the beautiful and troubled Suzy.

Grounded in the elegiac compositions of classical composer Benjamin Britten, whose majestic choral NOYES FLUDDE ignites the film's young lovers, MOONRISE KINGDOM features masterworks performed by Leonard Bernstein and the New York Philharmonic as well as popular gems performed by French chanteuse Françoise Hardy and the legendary country troubadour Hank Williams.

As in all of Anderson's previous films, music is an essential element and once again it is used to masterful effect. MOONRISE KINGDOM includes an original suite by renowned film composer Alexandre Desplat as well as percussion compositions by longtime Anderson collaborator and Devo co-founder Mark Mothersbaugh. One of the most interesting and compelling releases of recent times.

1. The Young Person's Guide To The Orchestra, Op. 34: Themes A-F - Leonard Bernstein & The New York Philharmonic
2. Camp Ivanhoe Cadence Medley - Peter Jarvis and His Drum Corps
3. Playful Pizzicato from Simple Symphony, Op. 4 - English Chamber Orchestra, Benjamin Britten
4. Kaw-Liga - Hank Williams
5. Noye's Fludde, Op. 59: Noye, Noye, Take Thou Thy Company - Trevor Anthony, Owen Brannigan, David Pinto, Darian Angadi, Stephen Alexander, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Chorus Of Animals, English Opera Group Orchestra, Merlin Channon, Norman Del Mar
6. The Heroic Weather-Conditions of the Universe, Part 1: A Veiled Mist - Alexandre Desplat
7. The Heroic Weather-Conditions of the Universe, Part 2: Smoke/Fire - Alexandre Desplat
8. The Heroic Weather-Conditions of the Universe, Part 3: The Salt Air - Alexandre Desplat
9. A Midsummer Night's Dream, Act 2: On The Ground, Sleep Sound - Choir Of Downside School, Purley, Emanuel School Wandsworth, Boys' Choir, London Symphony Orchestra, Benjamin Britten
10. Long Gone Lonesome Blues - Hank Williams
11. Le Carnaval des Animaux: Volière - Leonard Bernstein & The New York Philharmonic
12. Le Temps de l'Amour - Françoise Hardy
13. An die Musik - Vocalist: Alexandra Rubner Pianist: Christopher Manien
14. Ramblin' Man - Hank Williams
15. Songs From Friday Afternoons, Op. 7: Old Abram Brown - Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten
16. The Heroic Weather-Conditions of the Universe Parts 4-6: Thunder, Lightning, and Rain - Alexandre Desplat
17. Noye's Fludde, Op. 59: The Spacious Firmament On High - David Pinto, Darian Angadi, Stephen Alexander, Owen Brannigan, Sheila Rex, Caroline Clack, Marie-Therese Pinto, Eileen O'Donovan, Patricia Garrod, Margaret Hawes, Kathleen Petch, Gillian Saunders, Trevor Anthony, Chorus Of Animals, English Opera Group Orchestra, Merlin Channon, Norman Del Mar
18. Noye's Fludde, Op. 59: Noye, Take Thy Wife Anone - Trevor Anthony, Chorus Of Animals, Sheila Rex, David Pinto, Darian Angadi, Stephen Alexander, English Opera Group Orchestra, Merlin Channon, Norman Del Mar
19. The Young Person's Guide To The Orchestra, Op. 34 Fugue: Allegro Motto - Leonard Bernstein & The New York Philharmonic
20. Songs From Friday Afternoons, Op. 7: Cuckoo! - Choir Of Downside School, Purley, Viola Tunnard, Benjamin Britten
21. The Heroic Weather-Conditions of the Universe, Part 7: After The Storm - Alexandre Desplat

Sunday, March 8, 2015

The Three Burials Of Melquiades Estrada...score by Marco Beltrami

Set in the borderlands between Texas and Mexico, Three Burials follows the story of rancher Pete Perkins (Tommy Lee Jones) and his deceased friend Melquiades Estrada. This powerful drama is Tommy Lee Jones directorial debut and won Best Actor and Best Screenplay at Cannes in 2005. Not only did Tommy Lee Jones direct and star in the film, he was also the music supervisor, personally selecting the composer and tracks.

The soundtrack combines the rich score of Marco Beltrami (Scream, I Robot, XXX) with classics by Dwight Yoakam, Merle Haggard, and Flaco Jimenez, and a new exclusive track from Lila Downs.

1. Three Burials Of Melquiades - Marco Beltrami
2. Cinco Años- Marco Beltrami
3. Fair to Midland - Dwight Yoakam
4. Leaving Town - Marco Beltrami
5. Mike Runs Off - Marco Beltrami
6. I Wonder Who‘ll Turn Out The Light - Bobby Flores
7. Gift Horse - Marco Bletrami
8. Can’t Keep It Up - Marco Beltrami
9. The Cheatin’ Hotel - Hank Williams Jr.
10. Entering Town - Marco Beltrami
11. Fleeing Illegals - Marco Beltrami
12. This Could Be the One - Flaco Jimenez
13. Horse Of Death - Marco Beltrami
14. Pete Confronts Sheriff - Marco Beltrami
15. Stalking Mike - Marco Beltrami
16. Workin’ Man Blues - Merle Haggard
17. Shoot Me - Marco Beltrami
18. House Building - Marco Beltrami
19. Before The Next Teardrop Falls - Freddie Fender
20. No Jimenez - Marco Beltrami
21. Forgiveness - Marco Beltrami
22. Goodbye - Marco Beltrami
23. You Can‘t Rollerskate In A Buffalo Herd - Roger Miller
24. Donde Estas Papa - Lila Downs

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Thursday, March 5, 2015

A Good Year...music from the motion picture..score by Marc Streitenfeld and tracks by various artists

In a distinct break from their muscular triumph Gladiator, Russell Crowe and Ridley Scott teamed up again to bring Peter Mayle's sunny Provençal romance to the screen, a change of milieu that's spawned an equally warm, often sentimentally tinged soundtrack and score. Using a trio of pop songs by the great Harry Nilsson (including the joyous demo of Nilsson Schmilsson's "Gotta Get Up") as an axis that's as effusive as it is unlikely, this is a collection that romps through Franco-pop nuggets variously contemporary (Makali's elegant "Il Faut du Temps..."), vintage (Charles Trenet's "Je Chante," Jean Sablon's "J'Attendrai," Tino Rossi's "Le Chant du Guardian"), and downright loopy (Richard Anthony's French redux of "Yellow Polka-Dot Bikini"), making room for Patti Page, Josephine Baker, and Delaney & Bonnie along its merry way.

Also included are three cues from newcomer Marc Streitenfeld's underscore, a nimble exercise in instrumental post-modernism whose electronica/folk/neoclassical mélange is as eclectic as the song choices, yet characterized by subtlety and grace. --Jerry McCulley..Amazon

Friday, November 14, 2014

I Dreamed of Africa..Original Soundtrack..music composed and conducted by Maurice Jarre

Legendary composer Maurice Jarre's score of "I DREAMED OF AFRICA" is thematic abounding. Some of the finest orchestration and arrangements this icon has ever composed, much of which, we've come to expect from his past music - "LAWRENCE OF ARABIA" (1962) - "DOCTOR ZHIVAGO" (1965) - "A PASSAGE TO INDIA" (1984) - "GORILLAS IN THE MIST" (1988) - "DEAD POETS SOCIETY" (1989) and "SUNSHINE" (2000). Despite this wide variance of emotional range, Jarre expertly incorporates his main theme throughout the score, binding it together as a coherent piece.

The African vocals by Ayub Ogada and Geoffery Oryema are exceptional and the background music is lush and romantic. If you have always dreamed of music of "magnitude", then this soundtrack may suffice. Rustic and enchanting, it has a wonderful ability of letting you picture exactly what the music will fit into in terms of nature....listen to the music and you can picture yourself in a dream-airplane, single propeller, flying through the valleys of amazing beauty.

1. Arrival In Africa
2. Ondiek - Ayub Ogada
3. A Different Rhythm
4. Kel Kweyo - Geoffrey Oryema
5. The Storm
6. Death And Misery
7. Obiero - Ayub Ogada
8. Kuki's Determination

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Saturday, November 8, 2014

Surviving Picasso...1996 original soundtrack..music by Richard Robbins

Picasso's art exemplified the often chaotic nature of his emotions and, in turn, the 20th Century. The soundtrack to "Surviving Picasso" is brooding and dark at times. However, it is exactly what the film needs to convey its turbulent message.

Whilst the movie was not meant to be a factual work regarding the Maestro himself, and was more focussed on Francoise's inner struggles, the soundtrack beautifully expresses each character's essence as portrayed in the movie...the ebb and flow of passion and desire, the suffocating swirl of being adored as never before but only as a fleeting moment that repeats itself over and over. The sad trumpet solos, the waning cellos, the majesty of the procession in the final song giving way to breaking free with the knowledge that love is strong but self-preservation triumphs.

1. Grands-Augustins (Main Title)
2. Francoise
3. Menerbes
4. 'You'd Be My Woman'
5. Marie-Therese
6. Cubist Flashback
7. Olga
8. Grandmother
9. Jacqueline
10. Circus
11. Dora
12. La Galloise
13. Vallauris Corrida (End Credits)

Saturday, October 11, 2014

Watchmen..2009..original motion picture score...music by Tyler Bates

Tyler Bates has done musically for "Watchmen" what Zack Snyder has done for it in film.

What sets this score apart most from what one might expect for a "superhero" film is that it is nothing remotely like any "superhero" score, or traditional score in general. It is very non-score sounding, more like musical characterizations. It separates the film from the genre almost as much as the original comic did for it's genre way back when. In this way, it is similar to 2008's wonderfully eclectic score for "The Dark Knight" and even hearkens back to "Blade Runner" for Vangelis which was very 80's sounding then without feeling unscore-like.

Bates does an incredible job of sounding nostalgic, melancholy bittersweet and hopelessly desperate as we travel with the Watchmen through generations of heroes and happenings, conflicts and commentaries. All this without distracting or detaching ourselves from the film's immediate present day events taking place. It feels appropriately 80's while at the same time new, fresh and exciting. Breaking new ground, yet familiar. The instruments vary as well, going anywhere from lush orchestral strings to near industrial techno and rock without skipping a beat or feeling out of place. It weaves wonderfully with the artist songs Zack Snyder chose for moments throughout the movie.

1."Rescue Mission"
2."Don't Get Too Misty Eyed"
3."Tonight the Comedian Died"
4."Silk Spectre"
5."We'll Live Longer"
6."You Quit!"
7."Only Two Names Remain"
8."The American Dream"
9."Edward Blake – The Comedian"
10."The Last Laugh"
11."Prison Fight"
12."Just Look Around You"
13."Dan's Apocalyptic Dream"
14."Who Murdered Hollis Mason?"
15."What About Janey Slater?"
16."I'll Tell You About Rorschach"
17."Countdown"
18."It Was Me"
19."All That Is Good"
20."Requiem" (Excerpted from Mozart's "Requiem")
21."I Love You"