When the Wind Blows original soundtrack..score by Roger Waters plus tracks from other artists

This movie by director Jimmy T.Murakami and from the book by Raymond Briggs portrays an 'English' take on the survival of a nuclear detonation by a ageing couple in a setting anyone will recognise. The first half is almost a public information film on how to survive an atomic blast, but the last half will leave you shocked, saddened and despairing beyond belief. It can move you to tears; its funny, disturbing, hypnotizingly watchable and ultimately soul destroying.

The soundtrack is very interesting and a bit on the eclectic side. There are tracks by Genesis, Paul Hardcastle, David Bowie, Squeeze and Hugh Cornwall, plus the score by Roger Waters which fits well within the context of the movie and is not unlike anything he did with Pink Floyd or on any of his own releases. 

The instrumental shows Phil Collins' superior drumming and is a powerful mood piece. Surprisingly, Hugh Cornwell almost comes across as Roger's disciple in "Facts and Figures," the other good song that Roger didn't do.With Roger's pieces  there is a surprising undercurrent. If nothing else, "Towers of Faith" (his duet with the ever amazing Clare Torry) is worth the price of admission. As for the rest, well, my suggestion is to turn your CD player up rather loud and see if it doesn't give you the chills. Then, when Roger declares (in "Folded Flags) that his life is "in the hands of a second-rate actor" who was then a United States president whose finger was at least metaphorically on the button, tell me if it doesn't make you think twice!

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Snake Eyes Original Score by Ryuichi Sakamoto

Depending on your viewpoint, director Brian De Palma has been frequently lauded/taken to task for liberally appropriating the stylistic flourishes of other directors. And if De Palma's biggest "inspiration" on Snake Eyes is Alfred Hitchcock, the director found an admirable, if unlikely, semblance of frequent Hitchcock collaborator Bernard Herrmann in Ryuichi Sakamoto. Though better known for more delicate, electronic, and ethnically tinged work, here Sakamoto does a truly amazing Herrmann impression, cranking up the brass and swirling the strings into an unsettling sonic maelstrom that would've done late '50s Hitch proud.

Snake Eyes instantly begins with an awesome theme played out on lush violins. It echoes Bernard Herrmann classic scores to Hitchcock movies. Usually when a score imitates another movie it doesn't stand on its own. But the Snakes Eyes score manages to come into its own and still be original. Sakamoto's score ends with the beautiful 'Snake Eyes-Long Version'. It's a shame that this came out in the modern day. If this score accompanied a classic movie it would have been well-remembered. It is an alternately fun and lush score to De Palma's underrated and visually stunning film. Sakamoto's haunting theme (best on extended track 11) is a loving tribute to Morricone and Herrmann and the cheesy '70s gangster film thrill/scare cuts are a treat. Also includes 2 vocal tracks by Meredith Brooks and LaKiesha Berri.

1. Snake Eyes
2. Assassination
3. The Hunt
4. Julia's Story #1
5. Tyler And Serena
6. Kevin Cleans Up
7. You Know Him
8. Blood On The Medals
9. Crawling To Julia
10. The Storm
11. Snake Eyes(Long Version)
12. Sin City - Meredith Brooks
13. The Freaky Things - LaKiesha Berri

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From Dusk Till Dawn...music from the motion picture...various artists

From the rough songs of ZZ Top to the sexy sounds of Tito And Tarantula's "After Dark", this soundtrack has the same spirit as the film. "Dark Night" by The Blasters is a great opening for the film and the soundtrack. "Mexican Blackbird" by ZZ Top follows. Along with some blues tunes and an unexpected dialouge from Cheech Marin. The two score pieces fill the rest of the space. Great soundtrack for a night in an "off the wall cantina, man".

1. EVERYBODY BE COOL (DIALOGUE) 
2. BLASTERS, THE – DARK NIGHT
3. ZZ TOP – MEXICAN BLACKBIRD 
4. JON WAYNE – TEXAS FUNERAL 
5. MAVERICKS, THE – FOOLISH HEART 
6. JULIETTE LEWIS & QUENTIN TARANTINO – WOULD YOU DO ME A FAVOR? (DIALOGUE) 
7. JIMMIE VAUGHAN – DENGUE WOMAN BLUES 
8. LEFTOVERS, THE – TORQUAY 
9. ZZ TOP – SHE'S JUST KILLING ME
10. CHET'S SPEECH (DIALOGUE) 
11. TITO & TARANTULA – ANGRY COCKROACHES (CUCARACHAS ENOJADAS)
12. STEVIE RAY VAUGHAN & DOUBLE TROUBLE – MARY HAD A LITTLE LAMB 
13. TITO & TARANTULA – AFTER DARK 
14. STEVIE RAY VAUGHAN & DOUBLE TROUBLE – WILLIE THE WIMP (AND HIS CADILLAC COFFIN) 
15. KILL THE BAND (DIALOGUE) 
16. GRAEME REVELL – MEXICAN STANDOFF 
17. GRAEME REVELL – SEX MACHINE ATTACKS

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In Bruges..original motion picture soundtrack..music by Carter Burwell

Carter Burwell is at the top of his game with this score. In Bruges is a great film to begin with, and the score only adds to this. In perhaps his best work since Fargo, Burwell creates several beautiful themes with a limited range of instruments, and provides an interesting texture to a movie full of interesting textures. Highlights include "Shootout, Pt. 2," which is possibly the best theme on the disc, and "Prologue," which is a wonderfully contemplative piano piece that lets Burwell's wonderfully understated composition shine.

Highly recommended, as the score manages to be an interesting standalone listen, as well as a perfect companion to the film. There are movies where the soundtrack plays on, and it adds to the theme of the movie. Then there are movies, where the soundtrack adds nothing. And then, there are movies where the soundtrack more than adds to the movie. The soundtrack of "In Bruges" must fall in the third category.

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An Education...original movie soundtrack...score by Paul Englishby and tracks by various artists

The Education score is composed by Paul Englishby. It features 'Smoke Without Fire' performed by Duffy 'Your Heart Is As Black As Night' performed by Melody Gardot and 'J'ai Deux Amours' performed by Madeleine Peyroux. 

The movie is set in 1960s London, Jenny (Carey Mulligan) is a bright 17 year old preparing to go to Oxford. After she meets a much older man (Peter Saarsgard) who smoothly romances her with flattery, stories and weekends in Paris, Jenny abandons her University plans, to the horror and consternation of her hard working father (Alfred Molina) and a teacher (Emma Thompson). Jenny must come of age and decide what is her real education. Soundtrack is by noted composer Paul Englishby (Miss Pettigrew Lives for A Day) and includes recognizable 60s pop songs performed by Ray Charles, Mel Torme, Juliette Greco and Percy Faith. Duffy will perform a new song written exclusively for this film. An Education is based on the novel by Nick Hornby (High Fidelity, About A Boy) and is directed by Lone Scherfig. 

An Education received critical acclaim when it debuted at the Sundance Film Festival, as well as at the Berlin Film Festival. 

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Green Card: Original Motion Picture Soundtrack by Hans Zimmer

Green Card is a beautiful score. If you have followed Hans Zimmer, you will have noticed his style changes all the time. The score is similar to Zimmer's Driving Miss Daisy or Rain Man. It's almost all synthesizers, and almost never gets depressing (unlike many scores out there). It's a fun, upbeat score that always has you feeling good, and given the right moment, can exceed that. If you like Zimmer's scores to Beyond Rangoon, Rain Man, or Driving Miss Daisy, then you will like this one. The music is romantic and catchy and always helps to remember the movie which was also brilliant! 

1. Subway Drums
2. Instinct
3. Restless Elephants
4. Cafe Afrika
5. Greenhouse
6. Moonlight
7. 9am Central Park
8. Cl Concherato In A : Adagio
9. Silence
10. Instinct II
11. Asking You
12. Pour Bronte'
13. Eye On The Prize

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City Of Angels: Music From The Motion Picture..various artists and Gabriel Yared score

Soundtracks traditionally mix styles of music and this one is no exception. The eclectic selection of tracks on this release is a mixture of genres from blues to rock to indie and the mellow style of Gabriel Yared for the actual movie score. Many well known artists here to please the most avid music collector as well as soundtrack aficionados.

1. If God Will Send His Angels- U2  
 2. Uninvited - Alanis Morissette
 3. Red House - Jimi Hendrix  
 4. Feelin' Love - Paula Cole  
 5. Mama, You Got A Daughter - John Lee Hooker  
 6. Angel - Sarah McLachlan
 7. Iris - The Goo Goo Dolls  
 8. I Grieve - Peter Gabriel  
 9. I Know - Jude  
10. Further On Up The Road - Eric Clapton
11. An Angel Falls (Remix) - Gabriel Yared  
12. The Unfeeling Kiss - Gabriel Yared  
13. Spreading Wings - Gabriel Yared  
14. City Of Angels - Gabriel Yared

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Billy's Holiday...Original Songs from the Australian Motion Picture Musical

This movie is all about a normal guy called Billy Apples. He is a social drinker and sometimes lead singer of a band. While he is doing all of this, he still manages to bring up his teenage daughter. One night while sitting at home Billy finds that he has a talent! He finds that he is able to sing like his idol, jazz/blues singer Billie Holiday. From there he is going places, from huge live performances to even cutting a hit record, but in the end he must make a choice between the life he has, and the life he once knew. 

The real treat of this movie is this now rare soundtrack from 1995 featuring songs that were originally done by Billie Holiday but performed in the movie by Max Cullen himself (who manages an almost perfect impersonation of her voice). The score is jazzy, uptempo and will have you bopping, singing along and dancing around the room. 

Billy's Holiday

Cabaret..Music from the Original Soundtrack Recording..1972

Cheated out of playing nightclub canary Sally Bowles on Broadway in director Hal Price's Cabaret, Liza Minnelli nevertheless delivered an Oscar-winning star turn in Bob Fosse's cinematic reinvention of the show (which had the good sense to retain perverse imp Joel Grey from the stage production). Although the 1972 film discarded several songs from the original score, the new ones sound even better: Minnelli's breast-beating "Maybe This Time," the sultry "Mein Herr," and the salaciously satirical "Money, Money." By placing almost all the pertinent musical action on the stage of the decadent Kit Kit Club, the Kurt Weill-like compositional nuances and political underpinnings bask in the spotlight...that is, when Minnelli stops eclipsing it with her no-holds-barred performance. --Kurt B. Reighley...Amazon.com review

1. Wilkommen
2. Mein Herr
3. Maybe This Time
4. Money , Money
5. Two Ladies
6. Sitting Pretty
7. Tomorrow Belongs To Me
8. Tiller Girls
9. Heiraten ( Married )
10. If You Could See Her
11. Cabaret
12. Finale

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Dueling Banjos by Eric Weissberg, Marshall Brickman and Steve Mandel from the Original Soundtrack to Deliverance

Is this a movie soundtrack or a bluegrass album? Well, it is both, actually; the soundtrack to the movie Deliverance and probably the album that introduced bluegrass music to many people who may not have heard it before. If you like guitar and banjo pickin' music, then this album will more than satisfy your needs. The fact that it was originally released back in 1972 makes it all the more interesting as it still sounds fresh today.

Amazon review:
Wonderful, exhilarating, breathtaking music, both in speed and execution. Banjoist Eric Weissberg has spent most of his career in relative obscurity as a studio musician, which is a shame as he is one of the finest banjo players to ever pick up the instrument. City born and musically educated at the University of Wisconsin and Juilliard, Weissberg was a seminal banjo picker who combined the power and taste of Earl Scruggs along with the progressive melodic banjo stylings of the 1960s.

Obviously, the album features the definitive version of "Dueling Banjos" that Weissberg recorded with Steve Mandel. The rest of the tracks come from an incredible album called "New Dimensions in Banjo and Bluegrass," released by Elektra in 1963. Most of the tracks feature brilliant dual arrangements between Weissberg and Marshall Brickman, a banjoist who left the music world behind to write movies for Hollywood (The Bad News Bears, co-writer for Annie Hall). They are backed by guitar legend, Clarence White, who creates beautiful backup runs on songs like "Pony Express" and fine solos throughout. I think the fiddler was Gordon Terry, whose atmospheric style on "Reuben's Train" will make your hair stand on end.

The album is loaded with famous and oft-copied banjo licks, including the descending single-string work on Little Maggie, the "bumblebee break" on an insane version of "Shucking the Corn," the C-F-E-C chord sequence on "Riding the Waves," and some of the fastest (and cleanest) banjo work you'll ever hear anywhere on songs like "Rawhide" and "Hard, 'Aint it Hard".

1. Dueling Banjos
2. Little Maggie
3. Shuckin' The Corn
4. Pony Express
5. Old Joe Clark
6. Eight More Miles To Louisville
7. Farewell Blues
8. Earl's Breakdown
9. End Of A Dream
10. Buffalo Gals
11. Reuben's Train
12. Riding The Waves
13. Fire On The Mountain
14. Eighth Of January
15. Bugle Call Rag
16. Hard Ain't It Hard
17. Mountain Dew
18. Rawhide

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Bad Eggs...music from the motion picture by David Graney and Clare Moore..underrated gem

This rare soundtrack to the 2003 Australian movie crosses several genres including jazz, lounge, film noir and even some quiet soul funk. The interesting thing is that it was all done by the same composers, David Graney and Clare Moore. David and Clare have come up with a score that resembles scores to movies like Ocean's Eleven and Pulp Fiction with shades of Ry Cooder and David Holmes. Whilst essentially a soundtrack album, this is one that can be listened to on its own and still be entertaining (even with the snippets of dialogue added in, which aren't obtrusive). It reminds one of those crime thrillers from the 40s and 50s but with a contemporary sound. Possibly one of those underrated gems for soundtrack collectors. Oh, and the movie itself is one very funny black comedy.

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Selena..Original Motion Picture Score by Dave Grusin

Selena (1997) tells the true story of Selena Quintanilla-Perez, a Texas-born Tejano singer who rose from cult status to performing at the Astrodome, as well as having chart topping albums on the Latin music charts. The movie was written and directed by Gregory Nava and stars Jennifer Lopez, Edward James Olmos and Jon Seda.

The score is by jazz composer Dave Grusin. Dave has done a great job for scoring the movie and it brings out the exact moments in the movie, whether they be happy or sad, and also making sure the movie is a memorable one. See more on Dave Grusin here..

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Tango: Original Motion Picture Soundtrack by Lalo Schifrin

While director Carlos Saura employs the eponymous, erotically tinged ballroom dance form both as vehicle and metaphor for his film's storytelling, Argentine composer and film and TV scorer Lalo Schifrin in turn uses the film's score as framework for a rich musical tapestry that stretches from the traditionally familiar ("El Choclo") to the dark, rhythmic fury of his own classical-dance fusion ("La Represion"). 

Schifrin, a six-time Oscar nominee and winner of four Grammy Awards, spent his early career as pianist for tango composing legend Astor Piazzolla; that experience, along with his accomplished classical, film, and jazz work, has informed a score that may both surprise traditionalists with its adventurous diversity and give the rest of us a thrilling introduction to a vibrant musical form that continues to evolve. Interspersed with Schifrin's marvelous original compositions is a generous sampling of traditional tango music from composers such as Piazzolla, Canario, Salgan, and Filiberto. --Jerry McCulley..Amazon.com

1. Tango del Atardecer Orchestra Ensemble  
2. Calambre Orchestra Ensemble  
3. El Choclo Orchestra Ensemble
4. Tango Bárbaro Orchestra Ensemble  
5. Caminito Orchestra Ensemble  
6. Tango Lunaire Orchestra Ensemble  
7. La Cumparsita Orchestra Ensemble  
8. Recuerdo Orchestra Ensemble  
9. Los Inmigrantes Orchestra Ensemble
10. A Fuego Lento Quinteto Real  
11. Quejas de Bandoneón Orchestra Ensemble  
12. A Juan Carlos Copes Orchestra Ensemble  
13. Nostalgias Juanjo Dominguez  
14. A Don Augustin Bardi Orchestra Ensemble  
15. La Represión Orquesta Filarmonica De Buenos Aires  
16. Flores del alma Viviana Vigil  
17. Picante Orchestra Ensemble  
18. Tango para Percusión Orchestra Ensemble  
19. Corazón de Oro Orchestra Ensemble  
20. Zorro Gris Orchestra Ensemble  
21. La Yumba Orchestra Ensemble
22. Tango del Atardecer (II)Orchestra Ensemble

 

 TANGO

ALT LINK

https://youtu.be/sP8I8NIoAqI

Henry Mancini:The Pink Panther and The Return of the Pink Panther Soundtrack

Henry Mancini's unforgettable soundtracks to two of director Blake Edwards' 'Pink Panther' films teamed together, 1964's 'Pink Panther' & 1975's 'Return Of The Pink Panther'. A combined total of 25 tracks. This is Henry Mancini at his best. The music from these two films is first rate and very enjoyable and includes many gems. "The Greatest Gift" is a beautiful, haunting ballad and the "Return of the Pink Panther" number is a great, seductive variation on the Pink Panther theme. Of course the original "Pink Panther Theme" is included as well in all it's glory.

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the original movie trailer itself is hilarious!

                                    

..and this scene from "The Return..."

                                       

Fried Green Tomatoes At the Whistle Stop Cafe: Original Motion Picture Soundtrack

The score by Thomas Newman to this film is almost superior to the film itself. It truly captures the sweet melancholy of the Fall. Try listening to it with headphones and you'll hear a highly dimensional sound, delicate and subtle. Reflective and spiritual. The tracks " Visiting Ruth" and "Ghost Train" really make you think about the meaning of the film and what it says.

The real gem here is Grayson Hugh's cover and re-arrangement of Bob Dylan's, "I'll Remember You". Truly one of pop music's great voices. So soulful, so bluesy and rich in harmony.Every song on this soundtrack has so much character, especially the instrumentals by Thomas Newman!

 1. I'll Remember You - Grayson Hugh  
 2. What Becomes Of The Brokenhearted - Paul Young  
 3. Cherish (Hip Hop Version) - Jodeci  
 4. Danger Heartbreak Dead Ahead - Taylor Dayne  
 5. Rooster Blues - Peter Wolf  
 6. Barbeque Bess - Patti LaBelle
 7. If I Can Help Somebody - Aaron Hall  
 8. Cool Down Yonder - Marion Williams  
 9. Cherish (Movie Version) - Jodeci  
10. Ghost Train (Main Title) - Thomas Newman  
11. Visiting Ruth - Thomas Newman
12. A Charge To Keep I Have - Thomas Newman

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Leap Of Faith: Music From The Motion Picture Soundtrack

This was a rare occasion where Hollywood put out a movie with a great gospel soundtrack. If you haven't seen the film, you're missing out on a special treat. It's about a man who loses faith and finds it again. Steve Martin stars as a burned-out charlatan evangelist who comes to a town that hasn't had rain in a long time. Martin finds his own faith throughout the course of the plot.

The highlight is the music though. Cliff Eidelman did a great job of putting this soundtrack together. All the music is upbeat and heartening, and it will have you up and singing from the first track. Whether you are one of the faithful or not, these gospel sounds will put a smile on your face and a bright note in your day.

1. Sit Down You're Rockin' The Boat - Don Henley
2. Ready For A Miracle - Patti Labelle
3. Change In My Life - John Pagano
4. Stones Throw From Hurtin' - Wynonna
5. King Of Sin Medley: (Lord Will Make A Way (Somehow)/God Said He Would See You Through/God Will... - Angels Of Mercy
6. Pass Me Not - Lyle Lovett
7. Rain Celebration: (Jesus On The Mainline/Ready For A Mircale/It's A Highway To Heaven) - Angels Of Mercy
8. Blessed Assurance - Albertina Walker
9. Paradise By The Dashboard Light - Meat Loaf

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The Lover....original soundtrack..music by Gabriel Yared

Gabriel Yared is a master of cinematic soundscapes. From Betty Blue to The English Patient, he has created unforgettable (film) music with real emotional depth. The Lover soundtrack is no exception. From the paso doble scene with Helene, to the nightclubs, to the beautiful tango of Habanera, he has successfully evoked colonial Saigon with the sense of loss, memory, and displacement present in the Duras text. The recurring theme is as haunting and evocative as any work he has done.

The music gives the film life and is very powerful. This soundtrack is very meticulous and is an unforgettable masterpiece.

1. A Kiss On The Window
2. Blue Zoon
3. One Day On The Mekong
4. One Step Dance
5. Promenade
6. A Man From Cholon
7. Helene
8. Valse A L'Etage
9. The Problems Of Life
10. Foxtrot Dance
11. The Lover
12. Habanera
13. The Barricades
14. Nocturne
15. La Marseillaise
16. The Departure

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The Passion of the Christ...original soundtrack score...music by John Debney

Amazon.com review:
Mel Gibson staked $30 million and his superstar reputation on this painstakingly bloody interpretation of the death and resurrection of Jesus Christ, all the while dodging charges of anti-semitism and fostering excruciating cinematic gore at the expense of Christ's message (a notion that also begs some uncomfortable questions about this version's S&M undertones). But because the film's dialog plays out in ancient authentic language dialects, John Debney's musical score takes on an even more central dramatic role. In some ways an unlikely choice as composer (having cut his teeth on many a lightweight comedy and kidflick) Debney nonetheless rises to the challenge, first conjuring up a synth-laden soundscape whose gothic moodiness should be familiar to admirers of the work of Lisa Gerrard, then seasoning it with indigenous instruments, booming percussion and ancient modalities that give the score an almost palpable sense of time and place. 

As did Jeff Danna on his earlier score for the gentler, de facto companion piece, The Gospel of John, Debney eventually gets 'round to genuflecting towards some Hollywood choral and melodic traditions (the Gospels themselves having arguably helped lay the original foundations for Tinseltown's venerable three-act structure), but there's nothing cheap about his music of triumph and redemption, rooted as ever in roiling currents of ancient spiritual mysticism. Gibson's vision of the Passion has had many second-guessing his motivations and choices, but Debney's rich, evocative score proves there's nothing wrong with his ears. -- Jerry McCulley

The Passion of the Christ

           

reposting and uploading of dead links

Due to issues with some of my file servers, I am re-uploading some of the links within the posts. If you find a download link that does not work please either leave a comment or send a message through the contact page.

Please bear with me while these are being updated. Thanks for your patience and continued interest in the blog.

Murder On the Orient Express..Original Soundtrack..music by Richard Rodney Bennett

Not only was this 1974 movie a brilliant adaptation of one of Agatha Christie's most famous novels, but the score by Richard Rodney Bennett also scored a nomination for Best Original Dramatic Score. A moving and stirring score, this one evokes all the emotions and drama of the unfolding story on screen.

Amazon.com review
A Brilliant Score Beautifully Recorded...For MURDER ON THE ORIENT EXPRESS, Richard Rodney Bennett could have arranged a 1930's pastiche score and left it at that. Instead, he created an entirely original score, by turns melodious and atonal, to enhance the classic murder mystery on screen. The Overture certainly does, to quote Bennett himself, "give one the sense of excitement and anticipation that one felt in the theatre, as a child, before the curtain went up," while the main theme of "The Orient Express" combines a joyous waltz with an ominous woodwind motif that tells of dark deeds to come. "The Reenactment" and "The Murder" consist of some of the eeriest music ever heard in a film (as frightening - if not more so - as much of Bernard Herrmann's score for PSYCHO). 

At other times, the score is impressionistically beautiful, as in the Puccini-esque "Stamboul Ferry." Bennett impressively handles both music under dialogue (in "The Orient Express," for example, or "Princess Dragomiroff") and leitmotifs (the nervous string motif associated with the villain of the piece, acted by Richard Widmark). In short, this is a brilliant score. But what truly raises the soundtrack to the highest level is the grandly scaled playing of the Orchestra of the Royal Opera House, Covent Garden, led by Marcus Dods. The 1974 recording matches the orchestra in quality, with each instrument clearly audible. Thus, MURDER ON THE ORIENT EXPRESS is a remarkable original soundtrack recording in more ways than one.

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